Titre
Motoyoshi's Sarugaku Dangi. A description and assessment with annotated Translation
Auteur
De Poorter E.G.
Langue
Anglais
Éditeur
Author , printed by Kanters B.V.
Prix
€ 39,90
Détails
350 pp. Softcover . Good .With thesys I-VIII lose at the back(stellingen in dutch)
Plus d'informations
Zeshi rokuju igo Sarugaku dangi (世子六十以後申楽談儀) (also known as "Sarugaku dangi") was established in the Muromachi Period, which is a written record on Zeami's discourse about the art and has been handed down from ancestors as a collection of art treatises on Nohgaku.
November, 1430, Motoyoshi KANZE who was the second son of Zeami and taiko yakusha (drum player) at Kanzeza troupe wrote down what had been told by his father and presented it to his father Zeami. As 'Zeshi (the honorific title of Zeami) rokuju igo (after 60 years old)' indicates, the book was to pass Zeami's theory of Noh after he had handed over his position of KANZE dayu to his first son Motomasa KANZE and entered the priesthood when he was 60.
As it is discribed later, unlike other densho, it was not written by Zeami himself. Also, because it is a dictation of what Zeami said as it is, there are many parts whose meanings are difficult to grab and understand. So, up until now quite a few words or phrases in the book have been discussed over their interpretation. Since it is a collection of valuable direct discourse based on Zeami's real experience, however, it is regarded as valuable as the book by Zeami himself or more. In addition, it is an essential book to know the performing art in Medieval Period in Japan.
November, 1430, Motoyoshi KANZE who was the second son of Zeami and taiko yakusha (drum player) at Kanzeza troupe wrote down what had been told by his father and presented it to his father Zeami. As 'Zeshi (the honorific title of Zeami) rokuju igo (after 60 years old)' indicates, the book was to pass Zeami's theory of Noh after he had handed over his position of KANZE dayu to his first son Motomasa KANZE and entered the priesthood when he was 60.
As it is discribed later, unlike other densho, it was not written by Zeami himself. Also, because it is a dictation of what Zeami said as it is, there are many parts whose meanings are difficult to grab and understand. So, up until now quite a few words or phrases in the book have been discussed over their interpretation. Since it is a collection of valuable direct discourse based on Zeami's real experience, however, it is regarded as valuable as the book by Zeami himself or more. In addition, it is an essential book to know the performing art in Medieval Period in Japan.
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